![]() ![]() Furthermore, all historians acknowledge that History is more than just learned knowledge about the past. This methodology entails the close analysis of primary sources in dialogue with existing scholarship and current events, and the exchange of ideas across a variety of media, from academic journals to mainstream news, and from documentaries to public talks. ![]() ![]() A rigorous, shared methodology unites historians no matter which subject they study. Historians study politics and government gender and sexuality diplomacy and international relations finance and economics religion and philosophy literature and arts cultural and social changes and exchanges archaeology, anthropology, and science and technology. And to finish, we’ll launch our own investigation into melodrama’s place and function in global television and new media drama, journalism, political programming, and gaming, and become acquainted with contemporary efforts to theorize its increasingly pervasive influence on 21st-century life.The strength of the History concentration lies in the diversity of paths that historical inquiry allows you to pursue. In the second half of the course, we’ll follow melodrama’s migration to film, and look at critical efforts to evaluate and assess its profound impact on 20th-century cultural and political history. We’ll then survey its growth, expansion, and diversification as a style and as a mode in the nineteenth century, and engage with modern efforts to recognize and understand its cultural role and meaning as a central poetry of that age. ![]() We’ll begin by looking at melodrama’s hybrid origins and rapid emergence in Europe and the United States after the French Revolution, and exploring early attempts to understand and explain this peculiar stage genre’s explosive rise. The course will include plays, films, television, and new media drama from Europe, the Americas, and Asia. This course will offer an introduction to the history and theory of melodrama, the modern world’s most distinctive and popular dramatic genre, from 1800 to now. ![]()
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